The corners of the groom’s mouth are slightly upturned.  Not so the bride’s.

She looks like she might still be a teenager.  He looks nearly old enough to be her father.  The facial expression and body language speak volumes.

No one looks particularly happy here.  The flowers are quite beautiful, though.

Someone must have made a pass at a girl who wore glasses but she doesn’t seem happy about it.

Both bride and groom look desperately like they want the photo session to end.

Hopefully the photographer did not tell the bride to think of her husband-to-be as he snapped the photo.

This petite bride seems to be pondering how she’s going to tell her lanky groom to find another hair stylist.

Stiff and formal but certainly not ecstatically happy.

Standing next to his beautiful bride, the groom appears to stoically accept his fate.

Of course, it’s natural for brides and grooms to be nervous and apprehensive on their wedding day.  Most likely, they are dressed in the most expensive clothes they will ever wear with dozens upon dozens of family members and friends looking on.  It’s an occasion that calls for a certain amount of solemnity and gravity.  No one knows, at this point, what the future holds.

But what about the couples who are celebrating their golden anniversary?  Surely fifty years of working together as a team leads to happiness and gratitude…doesn’t it?

This couple looks slightly happy – or at least bemused – about the fuss generated by their golden anniversary.

In this case, the wife has seemingly enjoyed those five decades of marriage, but the husband is clearly worn out.

It doesn’t get much happier than this.  Could they be any further apart?

The post Happy Is the Bride…Perhaps – Vintage Photos of Unhappy Brides appeared first on The Collector Gene.

I’m not old enough to personally remember Foxy Grandpa, the comic character. In fact, even my parents were born too late to remember his debut on January 7, 1900 in the New York Herald, and his popularity was already waning when my mother was a toddler. Still, even without any knowledge of his comic strips or books or stage production, the minute I first encountered him, I was smitten by the cute little old guy with white hair and a bald head, round glasses, and a spiffy suit and vest.

Foxy Grandpa was the creation of Carl E. Schultze, who was born in Lexington, Kentucky in 1866. Schultze’s childhood nickname was “Bunny,” and he usually signed his cartoons as “Bunny.” He also created a cute white bunny character that often shows up alongside Foxy Grandpa. This pinback button shows the bunny and the two grandsons along with Foxy Grandpa himself.

Foxy Grandpa is right up there with the earliest of the American comic characters like the Katzenjammer Kids and the Yellow Kid. His stories revolve around those two mischievous grandsons, Chub and Bunt. While they try to trick their grandfather and play jokes on him, he turns the tables on them and foils their plots, often making them look mighty foolish in the process.

Within two years of his debut, Foxy Grandpa was so popular that a Broadway show was created with him as the central character. He was played by actor Joseph Hart. Clearly, the show had a successful run because here is a pinback button that was issued during the show’s second year, which would date it to 1903-04.

This button measures one-and-a-half inches in diameter and was made by the Whitehead & Hoag Company of Newark, NJ. It is in pristine condition and has a wonderful paper label on the back with the following information: Grandpa You’re a Wonder!/ 2nd Year/The Musical Snapshot/”Foxy Grandpa”/Book by R. M. Baker/Music by Jos. Hart.

Joseph Hart went on to play Foxy Grandpa in several Biograph short silent films. A portion of one of those films still exists and here is a link to it:

Between 1900 and 1917, Foxy Grandpa was a staple on the comic pages of several New York newspapers. More than thirty books about him were published by four different publishers during that time. And, like other popular comic characters of the day, toys and games featuring Foxy Grandpa made their way into the market. Fortunately, some survived and made their way into the hands of collectors like us. Here are two of our favorite Foxy Grandpa toys. Both are German candy containers, both have an Easter theme, and both have been in our possession for over 35 years.

The following photo shows a few more Foxy Grandpa collectibles. There’s a small jointed composition figure, a composition bobble-head figure, and a plaster container that might have been used on a desk to hold pencils.

Finally, it’s clear from this object that Foxy Grandpa was a hit with the adults as well as the kids. It’s a well-made porcelain toby mug, and while I suppose a child could have sipped his milk from it, more likely it was meant to be displayed on a knickknack shelf.

During Foxy Grandpa’s heyday, Carl Schultze lived the good life on Park Avenue. While Foxy Grandpa stories continued to be distributed by the Newspaper Feature Syndicate throughout the 1920’s, Schultze faced personal problems and mounting debts. By the 1930’s, he was down on his luck and illustrating school books through the WPA (Works Progress Administration). Sadly, when he died in 1939, the headlines said that he died a pauper.

But for a couple of decades in the early 20th Century, Bunny Schultze made us smile over the antics of an energetic little old man who could outsmart his grandsons. And he helped set the stage for other artists to create memorable, amusing comic characters. Young Walt Disney, growing up in the first decade of the 20th Century, most likely was quite familiar with Foxy Grandpa. Schultze may have had very little left to his name when he died, but hanging on the wall of his one-room apartment was a picture of Mickey and Minnie Mouse with the inscription, “For Carl E. Schultze, in admiration. Walt Disney.”

The post The Coolest Comic Grandfather – Foxy Grandpa & His Fabulous Easter Toys appeared first on The Collector Gene.

New to our Christmas display this year but not new to our collection is this Bliss Adirondack Cottage circa 1905.  When we bought it from a small local antique shop almost three years ago, we weren’t sure how to display it, but we said even then that it would make a great Santa Claus workshop.  That vision was finally realized this year.

Here you see the front of the cottage with German bisque elves playing on the upper and lower porches while a nice old composition German Santa sits on his wooden sled.

Here you see the back of the cottage just filled with toys and decorated Christmas trees and another playful elf.

This doll house came with a paper from an auction when it was purchased by someone else in 2005.  It was described thus:  Bliss Adirondack Cottage – an unusual doll house with lithographed paper exterior, stained wood roof and base, 4-room interior with period wallpaper, 17.5 inches tall.”

We have loved Bliss doll houses from the moment we first saw them early in our collecting years, and we have been fortunate enough to acquire about four of them at affordable prices.  Bliss doll houses are characterized by their wood construction and beautiful chromolithographed paper coverings.  The peak of production was at the turn of the century, and the most elaborate houses are beautiful miniature renderings of highly Victorian-style houses in all their gingerbread glory.  This “cottage” is unusual and, we believe, rare because it is quite simple in style and decoration.  The very realistic-looking logs are, indeed, just printed paper.

Rufus Bliss went into business as a carpenter in Pawtucket, Rhode Island back in 1823.  He was highly skilled and inventive in his carpentry techniques, becoming best known for his lathe-turned wooden screws and clamps.  He took on a partner, A.N. Bullock, in 1845 and the name of the company became R. Bliss and Company.  In 1867, several years before the company first advertised the making of toys, Mr. Bliss withdrew from the business.  In 1873, Mr. Bullock died.  However, the company continued on with Mrs. Bullock retaining an interest, and a stock company involving Bullock family members among others was formed in 1874.  The company continued to make practical things like wooden screws, clamps, and tool handles, but they expanded further into croquet sets, tennis racquets, and paper-lithographed toys.  Today, their doll houses, wooden boats, and pull-toys are among the most prized and expensive of American antique toys.  A Massachusetts company bought out the toy-making end of the business in 1914 and kept the name, but it ceased production in 1935.

The post Season’s Greetings from Santa’s Workshop – Our Bliss Adirondack Cottage appeared first on The Collector Gene.

This trip did not yield as many photos as I wish it had, but I’m sure Jim would say that I found enough.  Here are some of my favorites.

These two snapshots were found in the same bowl and were priced at a quarter each.  I suspect they came from the same family and possibly the same trip.  I love the guy standing next to the giant ox/long horn steer.  We found several giant tourist attraction statues on this trip, particularly in North Dakota, so I could relate to this snapshot.  The second photo shows some sort of cheesy tourist trap.  I wonder what the shrunken body inside the building looked like?  Was it a real deal or some fake thing?  I also love the old Coca-Cola sign.

I like family snapshots if they tell a story.  Both of these fit the bill.  The top photo of the dad and his two sons is dated 1960 and appears to have been taken on Easter.  Everyone is very nattily dressed, especially Dad.  You have to wonder if he was ever seen in public again wearing that coat.  The second photo is a genre that I have several examples of – people holding birthday cakes.  I’m wondering why there are two cakes here.  It must have been a big party.  I like the look of pride on both the boy and the grandmother.

This little boy looks happy enough to be dressed in his sailor suit and Mary Jane shoes, but he sure wouldn’t survive a minute in today’s world.

This is a real photo postcard with no identification whatsoever.  It’s a beautiful family portrait from the early 1900’s.  You can’t help but wonder how life turned out for this family.  The little girl is so sweet and serious about posing nicely for the photographer.

This is a large sepia photo that measures 7 1/2 by 9 1/2 inches.  It was found in a shop in Helena, MT priced at $3.  It was taken by a photographer from North Columbia, California.  North Columbia was a gold rush town in the Sierra Nevadas.  This photo probably dates to the 1880’s.  The house looks sturdy and somewhat prosperous.  I suspect the three people in the center are a married couple and their young son.  I wonder if the young man on the left is their other son.  The other three gentlemen could be relations or workers who board with them.  Clearly, everyone is dressed in his/her finest clothes and there are several pocket watches and/or fobs on display.  If only photos could talk, what stories could they tell?

This wedding photo from Sumner, Iowa was found in a shop in Montana.  Having been to Iowa and knowing that Iowa was settled by immigrants from European countries like Norway and Czechoslovakia, I was intrigued by the bride’s elaborate wedding veil, clearly an indication of her ethnic origin.  Unfortunately, I don’t know what that is.  To me, the photo is a visual reminder of the many people who came to the United States looking for a better life, with marriage being the real starting point for a family.

Last, but not least, here is the photo that I can most relate to.  I call it “The Barbie Girls.”  These young ladies are probably about two years younger than me because they are posing with their new bubble-cut Barbie dolls.  I never got to that point with my Barbie “collection.”  I had one and only one doll, and she was a ponytail version.  The bubble-cuts came out in 1961, so I believe this photo dates to about that time or possibly 1962.  Note that a couple of the girls even have shirts that match Barbie’s black and white striped bathing suit.  Also note that one poor girl who doesn’t even show in the photo is holding a fake Barbie!  My heart goes out to her.  This little snapshot was one of my favorite finds at the gigantic Gold Rush Days Flea Market in Oronoco, MN.

The post 2014 Road Trip Blog: Vintage Photos appeared first on The Collector Gene.

Have a safe and happy Fourth of July!

The post Happy Fourth of July from Collectorgene! A Black Humor Postcard With a Timely Message appeared first on The Collector Gene.

…or you can travel about a mile or so from home and find something fantastic for about a dollar.

Case in point: This turn-of-the-century naughty bisque turtle shell girl

Very early in our collecting career, nearly forty years ago, we went to a local auction and paid four dollars for a lot of four bisque bathing beauties that were made in Germany. They were delicate and well-detailed – and three of the four were naked! Even at that time, four dollars was a steal. This purchase made us notice other bisque bathing beauties and naughty bisque figurines when we went to shows and antique shops, and over the years we saw prices steadily rise from about $25 to $100 and more. Some larger figurines were often priced at over $200. In fact, several years ago when “The Antiques Roadshow” was in Atlantic City, they did a special segment on bisque bathing beauties, so they are quite desirable and collectible.

We have always thought the turtle shell naughty figurines are especially intriguing. How bizarre they are! There’s the pretty Victorian girl’s head sticking out of the rather large tortoise shell. You lift off the back of the shell and – voila! – there’s the rest of the girl. Oftentimes the girl’s undies are showing. Sometimes even her bare bottom is showing! Or, as in the case of this figurine, her “bear” bottom is showing. We are pretty sure that this is the rarest version of this figurine.

I’m sure a figurine like this was purchased in a novelty store, most likely in the big city or at a summer amusement area such as Atlantic City or Coney Island back around 1905 or 1910. It probably cost a dime or maybe a whole quarter. Can’t you just picture a dirty old man or a randy young man calling over a friend, showing him the suggestive young lady with the shell on her back, and then offering to show him her “bare” behind? Imagine the laughs – and the disappointment – when he saw a teddy bear tucked between her legs. (Keep in mind that the teddy bear craze was in full swing during the first decade of the 20th century thanks to President Teddy Roosevelt.)

This very desirable bisque naughty turned up in a miscellaneous box of figurines at a yard sale about a week ago. I would have gladly paid more, but I was quite happy to part with a dollar for her.

Finds like this are what make yard sales so much fun.

The post FIND OF THE WEEK: Naughty Bisque Turtle Girl With Her Bear Bottom Showing appeared first on The Collector Gene.

Somehow, though, I think more Americans think of their Uncle Sam in April when the deadline to file taxes comes along. I think nearly every family has a relative like Uncle Sam. He always seems to want your money. He’s not too good at living within his means and before you know it, he’s back wanting more! But he is family and we all want him to succeed. He is the personification of the United States of America itself and we all have a stake in his future.

Uncle Sam doll made in Germany around the turn of the century.

The origin of Uncle Sam can be traced back to 1813 when Samuel Wilson, a meat packer from Troy, New York supplied beef for the army during the War of 1812. The barrels of beef were marked “U.S.” for the United States, but the soldiers began referring to them as “Uncle Sams”, a nickname for Samuel Wilson.

The image of Uncle Sam as we know him is attributed to Thomas Nast, the prolific political cartoonist of the nineteenth century who also gave us the image of Santa Claus. The most famous image of him, however, is attributed to James Montgomery Flagg, who created the Uncle Sam made famous on the World War I recruiting poster pointing sternly with the caption “I Want You”.

This plaster figure of Uncle Sam is dated 1917 and is captioned “Rollin ’em up,” referring to preparations to fight in World War I.

With his tall, lean and lanky physique matched by his colorful attire, Uncle Sam is a natural for collectors if you can find him out there in Collectorland. His popularity was at its peak from about the late nineteenth century (especially around the Spanish-American War of 1898) through World War II. He was usually portrayed in a positive light during that time when America was becoming a stronger and more influential player among the family of nations. During the Vietnam War he wasn’t quite so popular.

Uncle Sam pin tray from the early 20th century.

Poster from World War II

Artist-made figure of Uncle Sam in a Pickle. It’s hard to date exactly because historically Uncle Sam always seems to be in a pickle!

German candy container of Uncle Sam riding a rabbit. This well-detailed piece was probably made around the Spanish American War (1898).

Today the image of Uncle Sam can often be found in craft shops as a patriotic decoration. Unfortunately he is often portrayed with a Santa Claus type beard and moustache instead of the long thin beard grown only on his chin. How did the song go – “Don’t know much about history”!

Many of our Uncle Sam items were purchased back in the seventies and eighties. Today, finding them is difficult and can be expensive. As always with collecting, however, you never know what lies ahead at the next flea market, auction, or yard sale.

This flask is a souvenir from Canada during Prohibition when many Americans headed north to get a drink!

This Uncle Sam on a bicycle toy was made between the wars by the A. C. Gilbert Company. He would ride along a string moving his legs.

This decal is dated 1933 and reflects the optimism that the election of Franklin D. Roosevelt would soon put an end to the Depression.

This piece of “Uncle Sammy” sheet music is dated 1904 and shows Uncle Sam with a map of the U.S. and its territories, some of which were acquired at the end of the Spanish-American War.

The post Uncle Sam – He Collects From Us So Why Not Collect Him? appeared first on The Collector Gene.

This all happened a few years ago – 2005 to be exact, when through a happy turn of events Ben was able to secure tickets for all four of us to go to the “Roadshow”.  The bad news was that the closest event to us that year was in Providence, Rhode Island, about a seven hour drive away.  Even so, we weren’t about to pass up the chance to see our favorite show in person.  Since we knew the odds of getting on TV were less than one percent, we pretty much abandoned hope of making it to the little screen.  We figured the best thing to do was to use this experience as an opportunity to find out more about some of the stuff we were having trouble finding values for on our own.  We wanted to hear what the experts had to say.

One of the items we determined to be “Roadshow” worthy was our little Michelin statue. Purchased by Carol in 1987 for the grand sum of seven dollars, she found it at the yard sale of an auctioneer.  I received it as a birthday present that year.   Standing just fourteen and a half  inches tall, this little guy doesn’t look much like the cuter powdered doughnut version of Bibendum (yes, he has a name) that we see in commercials today.  Bibendum’s origins go all the way back to 1898 in France.  The Quaker Oats guy and Aunt Jemima have been around longer but they have human forms, they’re not made out of, well,  tires after all, nor do they smoke, drink and dance with women in their early ads either!  Leave it to the French to have an advertising icon with a true joie de vie!  Indeed, Bibendum, by the way, is Latin for “drink to be done”!  He was sort of the bad boy of early advertising icons!  Like all bad boys, however, that made him kind of cool.

We arrived at the Rhode Island Convention Center at about 8:30 that June morning and were greeted at the door by volunteers wearing light blue “Antiques Roadshow” polo shirts who directed us to go up the stairs and to the end of the ever growing line.  The line moved quickly, however and soon our tickets were checked and we each showed our items to a couple of ladies who determined which appraisers we would each see.  The Michelin Man earned me a ticket to the “collectibles” line which was understandably among the longest there.  In about only fifteen minutes or so though, I found myself face to face with Gary Sohmers (the guy with the white ponytail) who looked at my little tire guy and determined that Noel Barrett (at the adjacent toy table) would know more about it than he.  Suddenly there was Noel Barrett holding my little French advertising icon in his hands.  They seemed to be sizing each other up!  The seasoned dealer, auctioneer and appraiser looking down and Bibendum looking up.  There obviously was a bond forming.

Noel Barrett (the other guy with a ponytail by the way) then motioned that I come over to the toy table and have a seat behind the appraisers desk while he contacted his producer.  Holy cow, he wants to put us (mainly Bibendum) on TV!  I motioned for the rest of the family to join me and nobody seemed to mind all of us sitting there watching all the activity before us.  We also met a nice lady from Maine with her doll furniture, who was also waiting to talk with the producer.  She would end up on TV also.

Eventually the producer (Marsha Bemko) came over and talked first to the nice lady from Maine and then to me.  After a few question I was asked if I would like to be on TV and escorted to the “green room”.  The green room wasn’t actually green but was a separate area partitioned off by curtains.  There were several long tables by which to sit and wait your turn.  In each corner was a monitor showing the live raw feed of what was being taped.  There were also two make-up people.  The appraisers would go to one before their taping and the rest of us went to the other.  While in there we met Mark Wahlberg, who was on his first day on the job as the new host.  He, Noel Barrett, and everyone else was very nice to us.

My turn finally came and out I went holding the Michelin Man.  I was directed to one of the three tables in the center of the room set up for taping.  My microphone was hooked up and soon Noel Barrett joined me and off we went.  My three minutes of fame had begun!  I can’t say that I wasn’t at least a little nervous but I was really enjoying drinking in the experience (that would be bibendum in Latin) and I realized that I was actually living something that I had dreamed about.  One of the advantages that comes with age is that you worry less about what other people may think – even if there’s several million of them.  I had a great time.

I would have to wait eleven months to see if I made the cut that day.  As with most TV shows, the “Roadshow” tapes more material than it uses, so the possibility of ending up on the cutting room floor still existed.  Finally in May, 2006 in hour 2 from Providence, Rhode Island, there I was.  I was on TV.  I had made the cut.  So far my episode seems to run about every two years.  The last time I saw it on TV was last summer (2012).  It became the gift that kept on giving!

As far as the appraisal is concerned, below is the page from the 2010 “Antiques Roadshow” calendar which tells the story.  You can also view the appraisal on the “Antiques Roadshow” website in the archive section – just type in “Michelin”.

Watch the clip and read the transcript here at the Antiques Roadshow website.

By the way, the Michelin Man is still with us.  He wasn’t so valuable that we felt we had to sell him.  Valued at $1200 to $1800 he went right back to his familiar spot in our family room, but now he has a great story behind him.  He was, after all, on the “Antiques Roadshow”.

As for me, it didn’t exactly make me rich or famous.  Many people I knew told me that they saw me on TV but nobody ever asked for my autograph.  The whole experience, however, has only made me fonder of the “Roadshow”.  May it keep going for many years to come.

The post The Michelin Advertising Figure – Rollin to the “Roadshow” with Bibendum appeared first on The Collector Gene.

Earlier this year, we posted pictures of this fantastic miniature house that Jim found at a local flea market.  Here it is all dressed up in its Christmas finery.  We considered it a fabulous find when Jim first brought it home, and as 2012 winds down, we’ve decided that it’s our favorite find of the year.

The post Happy Holidays from Collectorgene! appeared first on The Collector Gene.

One of the most popular Krampus collectibles is Krampus postcards.  Krampus became a very popular subject for holiday postcards in the mid-19^th century as postcards became a huge craze in Europe.  Even though Krampus’ job was mostly to punish and scare children, many postcards of Krampus exist that show him reacting more to the sins of adults.  The only card I have obtained (because Krampus postcards can get mighty expensive) is this one from about the 1960’s.  It is a great card with a sort of child Krampus sitting on a pretty girl’s lap.  Clearly, this Krampus is being seen as a more humorous figure than a scary one, and this card was made for adults to send to one another.  Another thing to note about Krampus is that, because he is an Austrian figure, almost everything you find with Krampus on it is in Austrian or German.  “Grub vom Krampus”  translates to “Greetings from Krampus”, and is found on almost every Krampus postcard you find.

This next Krampus piece I have is a paper cutout of the Christmas devil himself.  He is seen here with red skin, but the switches in his hand, the shackles, and the tongue let you know that this is Krampus, not an ordinary devil.  Paper cutouts were used for a variety of purposes in decorating, and there are several designs out there that are being reproduced today.  This piece is one of the more common Krampus pieces that I see, so it is a little bit more affordable for a new Krampus collector.  I found mine in a local shop, but they show up on eBay fairly regularly.

Little fuzzy animals made in Austria similar to this fellow were very popular in the 1960’s, so it isn’t too surprising that they produced a Krampus.  Again, this is a red Krampus, but you still know it is him because he has a little orange tongue sticking out, and switches in his right hand.  This might be the cutest Krampus ever made.  There is nothing imposing about this little guy at all.  He stands about 4 inches tall, which is fairly large for the little creatures made by the ARA company.  Clearly Krampus took on more of a comical role in the 20^th century, which is why some of these cuter and less ominous Krampus items can exist.

My mom found a few of these Krampus ornaments at a flea market.  The dealer she got them from said he bought them in the Czech Republic.  They are really cool, but pose a bit of a mystery.  This ornament is made in the Dresden style, but looks awfully clean and new for a vintage ornament.  I have always heard talk about people finding warehouses with vintage holiday stock and toys in them in Germany and Eastern Europe, but there are also a lot of reproduction holiday pieces that look a lot like the original pieces floating around on the market.  This can make you wonder if the “warehouse” stories are true, or if they are made to fool people into spending more money on reproductions.  Could this Krampus be a great, vintage piece?  Maybe.  Could he be a new piece done to look old?  Maybe.  The bottom line is, he is really cool looking, and I haven’t seen any others on the market to compare him to.   It is probably best to error on the side of caution and say that there is a good chance that he isn’t too old, but he looks great and we love putting him on the tree.  And if he is old warehouse stock, that is a bonus.   There is a whole discussion that could be created right now on vintage a reproduction Christmas decorations coming out of Europe right now, but right now I want to divert into a conversation about some of Santa’s other ominous sidekicks from Europe.

Before learning about Krampus I was in introduced to Knecht Ruprecht, a similar character from Germany, by one of my high school friend’s mom who happened to be a German teacher.  Knecht Ruprecht is a very similar character to Krampus in that he punishes bad children, but he has a beard and looks more like a creepy and mean Santa.  Another similar character is Belsnickle, who is also associated with Germany and the Pennsylvania Dutch.  I think this ornament most likely represents one of those two fellows. He is just another one of St. Nick’s friends doing all of the dirty work, while Santa rewards the good kids.  There are many other mean Christmas characters besides Krampus, but I think Krampus fascinates the public so much because he is so scary and disturbing.  I mean, I wouldn’t want a scary old man hitting me with switches, but I would take that over a devil licking my face and hitting me with switches.  This nice early Knecht Ruprecht/ Belsnickel ornament is a perfect segue into our favorite Krampus piece, a fairly early unassuming box with a fantastic surprise.

This little paper lithographed box holds a secret, and since you already know that we are talking about Krampus, I am sure you figured out that there is a Krampus in that box…

I am a little bit embarrassed to say that we did not know that this piece was most likely a Krampus when we bought it.  The dealer selling it made no mention of Krampus on his price tag, and we just took it for a really neat gag gift with a devil.  After several years of owning this piece, we learned about Krampus and started putting two and two together.  This devil head has black skin and a pronounced tongue, his box has Christmas colors on it, the sentiment of “Think of me” could mean that children should be thinking about Krampus to help remind them to behave at the holidays.  It really makes sense for this piece to represent Krampus.  The one thing that throws me off more than anything is that the box is in English.  Krampus didn’t infiltrate the pop culture of Americans much at all until probably within the last decade.  In Europe his reign of terror was seen only really in Austria, some of Germany, and a little bit of Eastern Europe, but not English speaking countries.  This piece isn’t marked, but is probably German, and the Germans imported a lot of decorations and toys to America.  I propose that this toy might have been produced as a Krampus piece in Europe, but that they sent it to America to represent more of a novelty.  It does work as such.  You don’t have to know who Krampus is to see the humor in handing a person a box with a sentimental message on it, and then laughing at their shock when a devil pops out.  Anyway, that is my thought on the matter.  It is a great Krampus piece, and by far the favorite in our collection.

I am all about festive cheer at the holidays, but I can’t help but be fascinated by Krampus.  Clearly I am, because I made a Krampus knee hugger this year…

…which is sold out on Etsy.com at the moment, but more will be available soon.  There is always something interesting about learning about strange traditions and characters, and that is why Krampus has become a part of our holiday decor.  He is just a scary little reminder to be extra nice at the holidays.

The post When Your Holidays Need a Little Less Cheer and a Little More Fear, Bring in the Krampus. appeared first on The Collector Gene.